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"
INTERSTICES "
CONCERT/VIDEO/PERFORMANCE |
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Terre
Thaemlitz |
US/JP |
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A former "Underground
Grammy Award" winning DJ from New York's Transexual clubs, and
founder of Comatonse Recordings in 1993, Thaemlitz is widely considered
one of America's leading producers of Ambient and Electro-acoustique
musics. He has released ten solo albums, five EPs, two 7-inch singles,
two collaborative albums (including with Bill Laswell), and several
remixes. His primary
interest is in the appropriation and recontextualization of cultural
signifiers through the very different methodologies of Transgenderism
and Electro-acoustique music production. He currently resides in Kanagawa,
Japan. |
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_WHAT
THE MUSIC PRESS SAYS ABOUT THAEMLITZ |
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MTV-Online |
"When he's not cracking cynical snaps like a downtown drag queen,
Thaemlitz sounds like a college professor. With rhythm." |
The Village
Voice |
calls
Thaemlitz's piano solos "perfectly post-classical," and compliments
his performing in "convincing drag... we saw a rather voluptuous
woman." |
The Wire (UK) magazine |
calls Thaemlitz
"in the very best sense, a commie pinko faggot," and lists Thaemlitz'
albums in their top 50 albums of 1998, and top 15 Electronica
albums of 1998. |
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_ON
" INTERSTICES " (mille
plateaux) |
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Terre Thaemlitz' newest electroacoustique release,
"Interstices" (meaning, "small spaces or cracks between
objects"), ostensibly presents itself as an album about process.
In particular, the accompanying text discusses two processes called
'framing' and 'systolic composition.' In particular, this project
is interested in using 'interstitial' sounds andcompositional processes
as metaphors for cultural processes which exist between dominant
binarisms of sexuality, gender and ethnicity. The compositions in
"Interstices" raise issues of transgenderism (including
intersexuality and transsexuality), Queer pansexuality, identity
politics, and the essentialist dangers of the disenfranchised 'homecoming'
fantasy.
_http://www.comatonse.com/listening/interstices.html
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